Krishna Gupta
History is evident of the fact that Muslim women have been
portrayed as weak, submissive and dependent. On many occasions they have been
denied basic rights like right to education, freedom to marry at their will, or
pursue a career and much more. Additionally, they are mocked, abused and even
beaten up, if they do not wear a headscarf, also known as hijab or khimar, and
loose-fitting clothing, when they are in public. Moreover, some women are not
allowed to show any part of their body to another man, except their eyes. They
are forced to cover their face with a covering known as niqab. In my opinion, clothing
should not be enforced on a woman. They should be allowed to dress up as per
their will.
I was inspired by a highly esteemed and renowned online art
event called the “Muslima”, which aims to encourage cross-cultural dialogue
about Muslim women, to break down barriers, to challenge stereotypes and to
encourage understanding. It is an online exhibition of fine art, photography
and writing from women around the globe that focuses on exploring the meaning
of a Muslim woman in today’s world. It has been curated by a California-based
novelist, artist and activist, Samina Ali, and organized and hosted by the
online International Museum of Women.
To fight against such barriers and stereotypes against women,
Muslima experiences participation from many artists from around the globe. One
such artist from Netherlands called Rajae El. Mouhandiz’s work really inspired
me. She is a singer and artist leading the movement for Muslim women's
representation in pop culture with her message of positivity, hope, and
inclusion. She shares her brand new music video and talks about the challenges
she faces as a Muslim woman artist, from both mainstream and Muslim media. Recently,
she was labeled as the leader of the Muslim community. Soon, she portrayed
herself as a leader wearing a long skirt and a top that carried messages of
freedom. The top carries the message of freedom in Arabic, whereas the skirt
has numerous rights that women are struggling for, written in English. The
picture is available on her blog on muslima.imow.org. The picture uses black
and white colour, and is just available in passport size on the web, that is,
about 2”x2”.
Her work inspired me as she has not only discussed the
prolonged gender discrimination in the human race, but also has fought against it
with modern weapons like pop music, art representation and online blogs.
However, I was not really inspired by the way she has portrayed herself in the
picture. She has denoted herself in black and white colour. These instead of
calling for freedom, denote the bleak world of a woman. Moreover, it evokes
some racial discrimination as she has written all English phrases with black,
whereas she has used white colour to write in Arabic. As a viewer, I perceived
that she is trying to convey that the English people discriminate against black
colour and the Arabic speaking population discriminates against fair skin
people; consequently, the black colour is asking for freedom in English, and
the white colour is asking for freedom in Arabic. Lastly, she has shown herself
with open arms, looking up to the deity. This just shows the submissive
position of a woman. She is seeking help from God rather than fighting on her
own. Also, the passport size image makes the English phrases and words very
tough to read.
I am an avid business student, and thus, due to lack of
artistic expertise, I have used pictures to support and show the items in the
portrait. However, I am highly interested in the artwork that aims to strengthen
support for movements leading to women empowerment or call for equality in our
society. Consequently, I analyzed Rajae El Mouhandiz’s image, and recreated it
to help evoke right emotions in the audiences, and make them associated with
her even more, since she has become a public image. I have used colours like
green as it denotes peace, blue to indicate calm, optimism, and happiness,
yellow to show intelligence, tenderness and fun, and lastly, red to represent
vigor, vitality, and emotional aspects of a woman. All these interpretations
are from Islamic culture, and thus, would help Islamic community across the
world to associate with Mouhandiz. Moreover, I have made the image big enough
to be seen clearly – 800mm x 585mm, unlike the original one. Also, I have created
a contemporary artwork using leaf to denote the green coloured top. This depicts
a fact that nature had created all human beings equal to ensure peace and
equality. Further, I have shown Mouhandiz juggling between six roles* that a woman
can play effectively in a society, but is not allowed to. For the legs, I have
used two natural wood sticks. This implies that as the wood in the branch makes
a tree stay rooted to the ground and bear the leafs, thorns and fruits, same
way, women are strong enough to stand on their feet and carry the load of the
worldly tensions as well as joys at the same time. I have labeled this artwork
as “The Word Man Is Derived From Woman Only”. This statement implies that women
are the one who give birth to the self-acclaimed stronger men. So, in reality
this makes women more powerful than men. From here on, I leave the viewers to
ponder then that why does the society think the other way round?
FOOTNOTE
*Significance of the images, which showcase a woman’s role in a society:
Ø
Money – She works and earns
a living (independent)
Ø
Baby – She nurtures and
gives birth
Ø
Broom – She does household
work like cleaning
Ø
Quran – She follows
religion and is not any kind of a rebel
Ø
Books– She has the right as
well as the potential to gain higher education
Ø
3 women holding hands – she
is always available to help the society
The original representation of Rajae El. Mouhandiz.
Work Cited List
"Discrimination Against Muslim Women - Fact
Sheet."American Civil Liberties
Union. N.p., 29 May 2008.
Web. 31 Mar. 2015.
"Islam Times - Colors and Their Impact on Personality
and Behavior." Islam
Times. N.p., 03 July 2013.
Web. 31 Mar. 2015.
"Rajae El Mouhandiz." MTV Artists.
Viacom, n.d. Web. 27 Mar. 2015.
Mouhandiz, Rajae El. "Mainstream Muslima." Mainstream
Muslima. N.p., n.d. Web.
25 Mar. 2015.
Stoughton, Indian. "Exploring Life as a Muslim Woman."
IndianMuslimObserver.com —
India's First Online Muslim Newspaper. N.p., 13 Apr. 2013. Web. 25 Mar.
2015.
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